Saturday, December 26, 2009

Vernon God Little, by DBC Pierre (2003)

As lazy, as trite, as smugly self-satisfied a satire as it is possible to imagine, Vernon God Little is, in my opinion, a painfully bad book. The plot is boring, the characters are cartoonish, the imagery is infantile, the prose is abysmal, and the main theme, the media’s voyeuristic obsession with violence and tragedy as entertainment, is so hackneyed as to be almost meaningless. A middle-class fantasy of white-trash clichés, this is easily one of the worst books I have ever read. And I’ve read Rule of the Bone.

I usually don't like to summarise the plot in my reviews, but I have to here, because its banality is a key problem. A teenager, unable to convince the police in his small Texas town that he wasn’t involved in a school massacre, flees to Mexico where he is betrayed before being whisked back home for trial, conviction and sentencing. That’s it! Nothing else really happens, so the plot isn’t exactly complex or interesting in and of itself. The writing can be summed up in a single word: ass. The word “ass” appears, in some form, on almost every page. To call the book scatological is to understate its author’s obsession with asses and shit, which is handy enough, because the book itself is utter shit. Saying "ass" every page is not daring, it’s not "using the vernacular," it’s just repetitive and contrived, like the rest of the prose.

As for the characters, rarely have I read a book where the author has such clear contempt for his or her own characters. Never have I encountered such a collection of gross stereotypes, lazily deployed to such cynical effect. Practically everyone, bar Vernon, is greedy, treacherous, and shallow. There isn’t a single adult Texan who isn’t morbidly obese and dripping with barbeque sauce. Similarly, there isn’t a single adult Mexican who doesn’t have greasy hair and gold teeth. There’s even a “wise old Black convict,” just to complete the pantheon of American stereotypes. And this is my main problem with the book: it is not, at all, about challenging our preconceptions, presenting us with difficult themes or ambiguous characters, or saying something new about the problems of contemporary society. It is only about making bland, conventional points about “the media” and “consumerism” while confirming easy stereotypes and playing to the lowest common denominators. As such, it’s a masterpiece of pandering. An odious book, I’m well rid of it.

Monday, December 21, 2009

Midnight's Children, by Salman Rushdie (1981)

This is definitely, without a doubt, the best of the Booker prize winners that I’ve read so far. I loved it! An amazing novel, which is somehow both the story of one individual and the history of an entire country, Midnight’s Children is a really fun read, completely bananas and fantastic and tragic and just brilliant.

Saleem Sinai is writing his life story, and it just so happens to be one of the most extraordinary stories every committed to paper. Born on the stroke of midnight on the day India became an independent nation, Saleem’s life has been, he tells us, inextricably linked to that of his country. Present at, or possibly responsible for, the pivotal moments in India’s history, Saleem tells us of his journey from middle-class snot-nosed kid to outcast teenage slum-dweller to soldier to magician’s assistant to enemy of the state to pickle maker, and explains how his own experiences are linked to those of the treacherous politicians, murderous generals and martyred poets who have shaped the history of India.

A dazzling combination of history and myth, Midnight’s Children is a magical-realist retelling of the story of the modern Indian nation-state seen through the eyes of a boy who is both completely unique and an exemplar of his time and place. Saleem’s story really is, as he says, an amazing “chutnification” of history. The writing too is amazing. Rushdie has a real gift with words; his sentences are complex and ornate but compelling and never obfuscating, and the way he makes them twist and turn back on themselves, making clear what was foreshadowed, is really fun to read. This is definitely a book I will read again and again. There’s so much in it to admire and enjoy, it’s a real pleasure.